Creative expression?

Abstract 2

In this text i wish to focus on representation of inner subjective experiences with using photographic still and moving images. Practically and also theoretically i will search to shift their limits to each other to find an interim way that will hep to create a self-reflexive work. While for video pieces the limits may be accepted as linearity, duration and speed, for photography it is stillness. To make references, I will mainly use my own practical experiences which are focused on (the state of being in between nature and culture) the perception of cylical and linear time, memory and mobility.

Keywords

Mobility

Imaginary

Deconstruction

Memory

Multi-layered images

Time

Linearity- Non-linearity

Abstract 1

      

In this text i wish to focus on the issues related with virtual representation of mobility and the imaginary while searching ways for shifting the ontological limits of the two lens-based media; photography and video. I am particularly have a tendency to work with those media which records the surface information, but in a way that allows one to invite the spectator to inner subjective experiences. For video pieces, the basic ontological ‘limits’ may be accepted as linearity, duration and speed; and for photography they may be momentariness, stability and the strong relationship with its referent. With my own practical experiences and a theoretical survey about the context I aim to search ways to shift those ‘limits’ of photography and video to each other.