Abstract 1

      

In this text i wish to focus on the issues related with virtual representation of mobility and the imaginary while searching ways for shifting the ontological limits of the two lens-based media; photography and video. I am particularly have a tendency to work with those media which records the surface information, but in a way that allows one to invite the spectator to inner subjective experiences. For video pieces, the basic ontological ‘limits’ may be accepted as linearity, duration and speed; and for photography they may be momentariness, stability and the strong relationship with its referent. With my own practical experiences and a theoretical survey about the context I aim to search ways to shift those ‘limits’ of photography and video to each other.