The Representation of Subjective Space in Turkey After Tanzimat Reform Era up to Today

  Subjectivity and the Destruction of Linear Perspective



 After Tanzimat Reform Era, the influence of western art and linear perspectival representation forms were increased in paintings due to the emerge of the French-oriented education of the artists.
A distinctive representation form of space was developed with the combination of linear perspective and the effects of the former perspective view of miniature. To make references i will chronologically start with  a painting of Şeker Ahmet Paşa; Woodcutter in The Forest and end up with Murat Germen's Muta-morphosis and Ahmet Elhan's Diptychs to search out why a this kind of destruction of linear perspective is used to express subjectivity.